Self-Grading for Published Monologue Performance
May 12th, 2011
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Rubric for Performance of Published Monologue
| Level of Proficiency | ||||||
| Level | 4 | 3 | 2 | 1 | 0 | |
| Exemplary | Proficient | Developing | Emerging | Insufficient Evidence | ||
| Vocal Skills | Lines are delivered with consistent projection and clarity. | Lines are, generally delivered with projection and clarity. | Enough lines are delivered with projection and clarity for audience to understand the basic content of the monologue. | Understanding the content of the monologue is compromised by lack of projection and/or clarity. | The audience could not hear the monologue. | |
| Conflict | The conflict is clearly established and built to a distinct and effective climax. | The conflict is clearly established and built to a recognizable climax. | The conflict is clearly established but there may be debate as to where the climax of the monologue is. | The conflict is clearly established but there appears to be no climax. | The conflict is not established clearly and there appears to be no climax. | |
| Beats | Beat changes are varied and consistently believable. | Beat changes are varied and generally believable. | There appears to be some incorporation of believable beats. | There appears to be very little incorporation of believable beats. | There appears to be no beat changes. | |
| Characterization | Character is distinct and played with outstanding commitment. | There is a general commitment to distinct characterization. | There is some attempt at distinct characterization. (This is the highest achievement level if character is dropped or visibility is compromised.) | There appears to be little attempt at distinct characterization. | There appears to be no attempt at characterization. | |
| Production Aspects | Costume (and prop) remarkably enhances character and context. | Costume (and prop) is functional in establishing character and context. | Costume (and prop) is present but do not contribute to establishing character and context. | Costume (and prop) gives misleading information about character and context. | There is no preparation of costume (and prop). | |
1. Describe your strongest moment in detail.
2. Describe your weakest moment in detail.
Tami Monsod
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